"Pompeii," a poem by Elena Kosh '17

In the shower

I realized that the world

my little world

had made me greasier than usual.

Peeling layers of black

from my face

and from under my fingernails

as if I were rubbing away at soot,

as if the volcano blew its top

and death was giving me a warning.

The soot continues to fall

clogging up your airways.

Did you realize

you were living in a home

that was trying to kill you?

Your mother jumps into the sea

tries to swim

and is boiled alive.

You run to the kitchen

Screaming,

and realize the cat has died peacefully

submitting to the layer of thick gray ash

on her back.

These walls will kill you.

There are four

or maybe eight

or more

of them,

and you cannot get out.

These walls will kill you,

and so will sitting still.

Did you realize for the first sixteen

years of your life?

The cat is curled up in the kitchen again

submitting to the quiet around her,

the very small quiet that’s left.

Your mother is screaming

in the basement

in the sea

tries to swim

but cannot.

There were too many walls

four

or maybe eight--

tried to kill her alive.

The black is peeling off my face.

scrub it off

as hard and fast

as you can.

These walls

are coming in.

My father tries to soothe,

ends up spitting fire and ash.

These walls.

The black is peeling off.

These walls

are coming in.

More is coming

Every minute.

Is coming in.

The warning signs

are

relentless.

The Rise of Rhythm at SAAS

Kian Stretch ‘17 went from being a listener to making the music himself. He began his music career as a DJ in middle school. Then one day, he watched a music video depicting artists hanging out and making music in the studio. He thought to himself, “Dang, that looks so fun.” The lifestyle and freedom of the music industry that immediately attracted him remained “something he would remember forever.” That Christmas, Stretch got music equipment, and that was just the beginning.

There has been a spark of interest at SAAS that goes unseen but not unheard. More and more students are pursuing music production, especially now that there’s an upper school class devoted to creating music taught by Seattle producer and Grammy nominee Amos Miller.

Kian's SoundCloud

Many students use Spotify, a popular app to browse music and playlists, but Stretch and other serious listeners prefer the SoundCloud app that allows smaller artists to share their work. SAAS students who are discovering how to make the music themselves can now access Ableton Live 9 Studio software in music production class.

Marius Revere ’17 says he used to dabble around with making music, but started getting serious this year in Amos’s class. Some students have even become bold enough to publish their beats and songs to SoundCloud, including Stretch and “Rolling Thunder” partners, Oscar Zorn ’19 and Axel Hejlsberg ’19.

Stretch credits a lot of his success to his lucky encounter with Roman Merlino ’15. A friend had heard Stretch was making music and introduced him to Merlino. “Roman expected me to be worse [than I was],” recounted Stretch. “And my beats were absolute trash. But he heard something in them.” From then on, Stretch sent Merlino everything he ever worked on. Merlino acted as a sort of mentor, handing back notes until it got to the point where Stretch could critique his own work. “[Roman] was the reason I stuck with it,” Stretch says.

To other SAAS students considering trying out music production, Kian is honest that this passion isn’t for everyone. It’s hard work at first, so it's common for doubts to arise. Everyone has to figure out the software in the beginning, but if the creative process doesn’t come naturally, Kian says maybe it’s better to just look into another hobby.